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	<title>Comments on: Three Ways to Assess Your Own Creative Work</title>
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	<link>http://www.wishfulthinking.co.uk/2007/12/09/three-ways-to-assess-your-own-creative-work/</link>
	<description>inspiring creative professionals</description>
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		<title>By: Resolutions Round Up &#124; All Things Metal Clay</title>
		<link>http://www.wishfulthinking.co.uk/2007/12/09/three-ways-to-assess-your-own-creative-work/comment-page-1/#comment-124726</link>
		<dc:creator>Resolutions Round Up &#124; All Things Metal Clay</dc:creator>
		<pubDate>Tue, 01 Jan 2008 14:03:46 +0000</pubDate>
		<guid isPermaLink="false">http://www.wishfulthinking.co.uk/blog/2007/12/09/three-ways-to-assess-your-own-creative-work/#comment-124726</guid>
		<description>[...] Mark McGuiness has a great article, &#8220;Three Ways to Assess Your Own Creative Work,&#8221; here. [...]</description>
		<content:encoded><![CDATA[<p>[...] Mark McGuiness has a great article, &#8220;Three Ways to Assess Your Own Creative Work,&#8221; here. [...]</p>
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		<title>By: Mark McGuinness</title>
		<link>http://www.wishfulthinking.co.uk/2007/12/09/three-ways-to-assess-your-own-creative-work/comment-page-1/#comment-121040</link>
		<dc:creator>Mark McGuinness</dc:creator>
		<pubDate>Tue, 18 Dec 2007 18:23:13 +0000</pubDate>
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		<description>Lauren - glad to hear your mum provides such a reliable litmus test for your work. My mum seems to enjoy my poems, I don&#039;t think she&#039;d be so keen to be consulted every time though...</description>
		<content:encoded><![CDATA[<p>Lauren &#8211; glad to hear your mum provides such a reliable litmus test for your work. My mum seems to enjoy my poems, I don&#8217;t think she&#8217;d be so keen to be consulted every time though&#8230;</p>
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		<title>By: lauren</title>
		<link>http://www.wishfulthinking.co.uk/2007/12/09/three-ways-to-assess-your-own-creative-work/comment-page-1/#comment-121000</link>
		<dc:creator>lauren</dc:creator>
		<pubDate>Tue, 18 Dec 2007 15:24:59 +0000</pubDate>
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		<description>i never thought of looking at my artwork in a mirror before! upside down and sideways, yes, but in reverse? wow! i&#039;m going to try it sometime!

i always ask my mum. if she&#039;s pretty sure she likes it and wants to know more, then i&#039;m on the right track. if she just plain ol&#039; doesn&#039;t get it, it&#039;s time to rework it a little.</description>
		<content:encoded><![CDATA[<p>i never thought of looking at my artwork in a mirror before! upside down and sideways, yes, but in reverse? wow! i&#8217;m going to try it sometime!</p>
<p>i always ask my mum. if she&#8217;s pretty sure she likes it and wants to know more, then i&#8217;m on the right track. if she just plain ol&#8217; doesn&#8217;t get it, it&#8217;s time to rework it a little.</p>
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		<title>By: Mark McGuinness</title>
		<link>http://www.wishfulthinking.co.uk/2007/12/09/three-ways-to-assess-your-own-creative-work/comment-page-1/#comment-119956</link>
		<dc:creator>Mark McGuinness</dc:creator>
		<pubDate>Sat, 15 Dec 2007 10:07:52 +0000</pubDate>
		<guid isPermaLink="false">http://www.wishfulthinking.co.uk/blog/2007/12/09/three-ways-to-assess-your-own-creative-work/#comment-119956</guid>
		<description>Hi Folks, thanks for the great comments. Sorry for the delay in responding, I&#039;ve been away for work and my blog is in need of attention!

Pamela - yes, that&#039;s pretty well how I do it, at least for a longer piece of work. My first draft can be incredibly sketchy but if I&#039;ve got to the end then it feels as though I&#039;ve got something to work with - revision feels a lot less daunting than writing!  It certainly works for you to judge by your bibliography, very impressive.

Rex - love your suggestions. I wish I could turn the volume up on a poem! Maybe I could shout it from the rooftops. Actually reading it out loud is a good way of finding problems in a poem - if it&#039;s awkward to read, there&#039;s something not quite right. I&#039;ll try your obfuscating words suggestion.

Michael - thanks, great description of your working method. I&#039;d never have thought of the lorry&#039;s rear view mirror! I sometimes use the mirror technique on poems - you can tell a lot about a poem by its shape on the page, and you can get similarly &#039;blind&#039; to this if you spend too long looking at it. Some fascinating stuff on your blog, really makes me appreciate the craft that goes into animation.</description>
		<content:encoded><![CDATA[<p>Hi Folks, thanks for the great comments. Sorry for the delay in responding, I&#8217;ve been away for work and my blog is in need of attention!</p>
<p>Pamela &#8211; yes, that&#8217;s pretty well how I do it, at least for a longer piece of work. My first draft can be incredibly sketchy but if I&#8217;ve got to the end then it feels as though I&#8217;ve got something to work with &#8211; revision feels a lot less daunting than writing!  It certainly works for you to judge by your bibliography, very impressive.</p>
<p>Rex &#8211; love your suggestions. I wish I could turn the volume up on a poem! Maybe I could shout it from the rooftops. Actually reading it out loud is a good way of finding problems in a poem &#8211; if it&#8217;s awkward to read, there&#8217;s something not quite right. I&#8217;ll try your obfuscating words suggestion.</p>
<p>Michael &#8211; thanks, great description of your working method. I&#8217;d never have thought of the lorry&#8217;s rear view mirror! I sometimes use the mirror technique on poems &#8211; you can tell a lot about a poem by its shape on the page, and you can get similarly &#8216;blind&#8217; to this if you spend too long looking at it. Some fascinating stuff on your blog, really makes me appreciate the craft that goes into animation.</p>
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		<title>By: Michael</title>
		<link>http://www.wishfulthinking.co.uk/2007/12/09/three-ways-to-assess-your-own-creative-work/comment-page-1/#comment-119243</link>
		<dc:creator>Michael</dc:creator>
		<pubDate>Thu, 13 Dec 2007 02:29:19 +0000</pubDate>
		<guid isPermaLink="false">http://www.wishfulthinking.co.uk/blog/2007/12/09/three-ways-to-assess-your-own-creative-work/#comment-119243</guid>
		<description>For the visual artists among us, the mirror is our best friend when we need to see our work as if for the first time.  Turn your back to your work, raise the mirror to eye level and look at the canvas / drawing board in reverse over your shoulder.  All the weaknesses of the composition that your eye had become immune to are suddenly revealed by the unaccustomed viewpoint, and the bad contrasts are exposed, and even your colour harmonies can be laid bare by the new angle on your work.  
For best effect use a lorry&#039;s rear view mirror so as to see your work in reverse and in miniature simultaneously.  I used to use this technique in a huge studio, painting roadside billboards to see my work &quot;at a distance&quot;. (In lontano)
In Photoshop, just flip the entire image horizontally and zoom out! :)

We all need to step out of the frame occasionally.</description>
		<content:encoded><![CDATA[<p>For the visual artists among us, the mirror is our best friend when we need to see our work as if for the first time.  Turn your back to your work, raise the mirror to eye level and look at the canvas / drawing board in reverse over your shoulder.  All the weaknesses of the composition that your eye had become immune to are suddenly revealed by the unaccustomed viewpoint, and the bad contrasts are exposed, and even your colour harmonies can be laid bare by the new angle on your work.<br />
For best effect use a lorry&#8217;s rear view mirror so as to see your work in reverse and in miniature simultaneously.  I used to use this technique in a huge studio, painting roadside billboards to see my work &#8220;at a distance&#8221;. (In lontano)<br />
In Photoshop, just flip the entire image horizontally and zoom out! <img src='http://www.wishfulthinking.co.uk/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /> </p>
<p>We all need to step out of the frame occasionally.</p>
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		<title>By: Rex Gibson</title>
		<link>http://www.wishfulthinking.co.uk/2007/12/09/three-ways-to-assess-your-own-creative-work/comment-page-1/#comment-118849</link>
		<dc:creator>Rex Gibson</dc:creator>
		<pubDate>Wed, 12 Dec 2007 03:27:23 +0000</pubDate>
		<guid isPermaLink="false">http://www.wishfulthinking.co.uk/blog/2007/12/09/three-ways-to-assess-your-own-creative-work/#comment-118849</guid>
		<description>This is an absolutely neccesary process in the creative process. in music production all three tactics listed here are applicable.

Another modes I use:
Difference in Intensity. I commonly make mistakes where something is out of balance in relationship to other elements of my work. As a method of combating this mistake I use volume as a &quot;variable&quot;. So, I will turn the music up REALLY loud and feel it literally physically. The air of the speakers pushing against my clothes. However often times I actually gain the most perspective from listening to the music as extremely quite levels where the music is barely percievable. Then scrutinize the sound to see what is still perceptible.

I would imagine perhaps that this would translate to other creative mediums as well. Visual seems the most logical in things like changing the transparency of an image when working in a digital format. But what about Filtered glasses or something for physical mediums?  

What about writing? Is it possible to change the physical intensity at which one perceives words? Perhaps obfuscating every other paragraph or word? 

Just thinking out lout. I love this article. It rings &quot;true&quot; to me. Great work.</description>
		<content:encoded><![CDATA[<p>This is an absolutely neccesary process in the creative process. in music production all three tactics listed here are applicable.</p>
<p>Another modes I use:<br />
Difference in Intensity. I commonly make mistakes where something is out of balance in relationship to other elements of my work. As a method of combating this mistake I use volume as a &#8220;variable&#8221;. So, I will turn the music up REALLY loud and feel it literally physically. The air of the speakers pushing against my clothes. However often times I actually gain the most perspective from listening to the music as extremely quite levels where the music is barely percievable. Then scrutinize the sound to see what is still perceptible.</p>
<p>I would imagine perhaps that this would translate to other creative mediums as well. Visual seems the most logical in things like changing the transparency of an image when working in a digital format. But what about Filtered glasses or something for physical mediums?  </p>
<p>What about writing? Is it possible to change the physical intensity at which one perceives words? Perhaps obfuscating every other paragraph or word? </p>
<p>Just thinking out lout. I love this article. It rings &#8220;true&#8221; to me. Great work.</p>
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		<title>By: Pamela Butler</title>
		<link>http://www.wishfulthinking.co.uk/2007/12/09/three-ways-to-assess-your-own-creative-work/comment-page-1/#comment-118790</link>
		<dc:creator>Pamela Butler</dc:creator>
		<pubDate>Tue, 11 Dec 2007 22:56:07 +0000</pubDate>
		<guid isPermaLink="false">http://www.wishfulthinking.co.uk/blog/2007/12/09/three-ways-to-assess-your-own-creative-work/#comment-118790</guid>
		<description>Really interesting to read this. I always reckon in writing - get it down, get anything down, no matter how bad you feel about it. Then leave it. Come back next day - there&#039;s always something there you can use and work with. Usually, surprise surprise - it&#039;s often not half as bad as you thought</description>
		<content:encoded><![CDATA[<p>Really interesting to read this. I always reckon in writing &#8211; get it down, get anything down, no matter how bad you feel about it. Then leave it. Come back next day &#8211; there&#8217;s always something there you can use and work with. Usually, surprise surprise &#8211; it&#8217;s often not half as bad as you thought</p>
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		<title>By: Mark McGuinness</title>
		<link>http://www.wishfulthinking.co.uk/2007/12/09/three-ways-to-assess-your-own-creative-work/comment-page-1/#comment-118583</link>
		<dc:creator>Mark McGuinness</dc:creator>
		<pubDate>Tue, 11 Dec 2007 09:27:42 +0000</pubDate>
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		<description>Thanks Skellie - and for the great advice re sourcing images. Your links blog looks cool, another good idea!

For anyone else reading this, Skellie&#039;s post about sourcing images is here: http://www.skelliewag.org/a-complete-guide-to-finding-and-using-incredible-flickr-images-162.htm</description>
		<content:encoded><![CDATA[<p>Thanks Skellie &#8211; and for the great advice re sourcing images. Your links blog looks cool, another good idea!</p>
<p>For anyone else reading this, Skellie&#8217;s post about sourcing images is here: <a href="http://www.skelliewag.org/a-complete-guide-to-finding-and-using-incredible-flickr-images-162.htm" rel="nofollow">http://www.skelliewag.org/a-complete-guide-to-finding-and-using-incredible-flickr-images-162.htm</a></p>
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		<title>By: Skellie</title>
		<link>http://www.wishfulthinking.co.uk/2007/12/09/three-ways-to-assess-your-own-creative-work/comment-page-1/#comment-118582</link>
		<dc:creator>Skellie</dc:creator>
		<pubDate>Tue, 11 Dec 2007 09:24:08 +0000</pubDate>
		<guid isPermaLink="false">http://www.wishfulthinking.co.uk/blog/2007/12/09/three-ways-to-assess-your-own-creative-work/#comment-118582</guid>
		<description>Mark -- loved the post, loved the image. Wonderful!

I&#039;ve added it to the Skelliewag links blog :-).</description>
		<content:encoded><![CDATA[<p>Mark &#8212; loved the post, loved the image. Wonderful!</p>
<p>I&#8217;ve added it to the Skelliewag links blog <img src='http://www.wishfulthinking.co.uk/wp-includes/images/smilies/icon_smile.gif' alt=':-)' class='wp-smiley' /> .</p>
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